February Newsletter 2026
SPECIAL VALENTINE’S OFFER
from February 14th to 21st
‘ROUNDHEADS & CAVALIERS’
books 1 and 2 are both 0.99c/0.99p
And for February’s trivia …
“Strange (or mythical?) Scottish creatures”
Reports of big cats from various parts of Britain go back to medieval times and have become an established part of Scottish folklore.
The Beast of Buchan is perhaps the best known of them.
In the tales, The Beast is a large black cat similar to a panther which preys on local livestock.
Instances of sheep being attacked by The Beast became so prolific that it has been raised on more than one occasion in the Scottish Parliament.
All who see it are certain that it is not a native Scottish wildcat.
On the other hand, it could be a lynx or a puma or a black panther.
It's the size of a Labrador or an Alsatian or a greyhound but it’s definitely not a dog or a fox.
There have been so many sightings that the Beast now has its own set of stalkers called the Scottish Big Cat Trust.
This dedicated group investigates sightings whenever and wherever they occur.
Most famous of all is the Loch Ness Monster.
Sightings of Nessie before the 20th century were very few.
But two sightings in the summer of 1933 changed everything and created a media sensation.
Nessie fits a tradition of ‘lake monsters’ which are supposed to exist elsewhere in Scotland as well as in other parts of the world – such as Storsjöodjuret in Sweden.
In the 1980s, the Swedish authorities sought British advice on legal protection for their monster (should it exist) from poachers and adventurers.
After much consultation, it was concluded that Nessie was already protected under the 1981 Wildlife & Countryside Act.
As such it would be a criminal offence to
“snare, shoot or blow Nessie up with explosives".
Following this advice, Sweden went on to pass legislation offering similar protection to the Storsjőodjuret.
For centuries, the haggis remained one of Scotland’s most closely-guarded secrets.
These small animals – long supposed to be mere folklore – have begun to capture the attention of wildlife enthusiasts everywhere as recent discoveries reveal a rich ecosystem of haggis species.
The Haggis Scoticus is a small, furry mammal.
Averaging 30-40 cm in length, these rotund creatures are perfectly adapted to life in the rugged Scottish landscape.
Their most distinctive features are their asymmetrical legs – shorter on one side than the other; this is an evolutionary marvel that allows them to navigate steep hillsides swiftly.
The right-running haggis (known as the Rightie) is characterised by its unique leg adaptation allowing it to run uphill clockwise.
The left-running haggis (or Leftie) has shorter legs on its left side, enabling it to run counterclockwise.
Some believe haggis lore dictates that ‘lefties’ do not mate with ‘righties’ but this is debatable.
The term for a group of wild haggis is "stooshie." This collective noun is commonly used to refer to these small mammals found in Scotland's rugged terrain.
Haggis populations are spread right across Scotland but the highest concentrations are found in the Highlands and the Scottish borders.
Haggi (this is not a typo; it is the correct plural of haggis) prefer areas with a mixture of heather moorland and scattered woodlands – places which provide convenient shelter.
Three common haggis species have been identified, each adapted to its specific habitat.
The Highland Haggis (Haggis Montanus) is larger and woollier than its lowland cousins.
A remarkable species indigenous to the Highlands.
It is distinguished by its impressive adaptations to thrive in the challenging environment of these elevated terrains.
The Loch Haggis (Haggis Aquaticus) is a rare loch-dwelling species of wild haggis known for its webbed toes, a water-proof coat and tartan nests with the uncanny ability to vanish into the mist.
Long thought extinct (or imaginary), sightings of this elusive creature continue to surface near remote Scottish lochs.
The Whisky Glen Haggis (Haggis Inebriaticus) can usually be found near distilleries, is mostly nocturnal and has a tendency to lurch or wobble when walking.
The preferred diet of all 3 species is interesting – even unique. They eat ‘Tunnocks’ tea cakes and drink single malt whisky (when they can get it) and ‘Irn Bru’ (when they can’t).
For those unfamiliar with the Tunnock tea cake it is a biscuit base topped with a marshmallow dome and covered in chocolate. They are easy to spot, being wrapped in red and silver foil.
This period, known as the Great Haggis Gathering, is when elaborate courtship displays take place and one may sometimes hear the males’ distinctive mating call – which sounds something like a cross between a whistle and a bagpipes’ drone.
Haggis are generally solitary creatures but they come together during the mating season in late autumn.
The image above might be of Hogmanay but is more likely to be the main highlight of the Haggis calendar; the January 26th Celebration – marking the annual triumph of once again outwitting the Burns Night Hunters.
While to the left we see a typical Burns Night Celebration in many pubs throughout Scotland!
Cheers or as the Scots say ...
Slàinte Mhath!
While not currently endangered, the Scottish Wildlife Trust has put in place several conservation programmes including: -
‘Haggis Highways’ to allow safe passage between fragmented habitats.
And ‘Haggis Tunnels’ beneath the busiest roads.
Unfortunately, a haggis (often the Haggis Inebriaticus) sometimes mistakes a rabbit-hole for a tunnel – with the obvious unfortunate result and thus creating a job for the emergency services.
Newsletter 1
Hello, everyone – and a warm welcome to my new website! Here, to celebrate it, is the answer to a question I’ve often been asked since the cover of The Shadow Earl was first revealed.
“How were these book-covers created?”

The Shadow Earl

Masque of Deceptions
So, for those who asked, here is a brief outline of how they were done - but since the basic process was the same for both books, I’ll concentrate on The Shadow Earl with occasional references to Masque of Deceptions.

Larry Rostant

Fire & Blood
The first step was for me to think about cover-art differently.
The second was a lengthy telephone conversation with UK photographer and book cover designer, Larry Rostant.
Larry has designed the covers of many books you may have read– most famously, perhaps, George R.R. Martin’s Game of Thrones.
Needless to say, I was thrilled when he said that he’d be delighted to work with me on my (then) forthcoming title,
The Shadow Earl.
Basic details of what was entailed, along with costs and an estimated time-frame, were largely sorted out over the telephone and we also agreed that the cover would feature the title character; so the first job was find our Christian Selwyn, alias the Shadow Earl.
This began with Larry sending me portfolio photos of possible models from various agencies. (Studying photos of good-looking young men is gruelling work but I persevered!)
Portfolio shots of Michael Oates, Christian (Shadow) & Jack Waldouck, Daniel (Masque)
I realised early on that most male models these days have facial hair – something an 18th century gentleman would absolutely not have – which meant ensuring that the guy we chose would be willing to shave, if necessary!
We eventually settled on Michael.
Next step? Dressing him like an earl!
For this, Larry regularly uses Angels (costumiers to film and TV) in London.
I sent images and descriptions of 1780s male fashion to him so he knew what to ask for.

Costume examples to help Larry brief Angels
Then a zoom call was set up between Angels and ourselves in order that final choices could be made.
Once the costume had been booked and a suitable wig ordered, we were ready for the actual shoot.

Angels Costumiers, London
Finally, the great day arrived. Larry collected the costume from Angels on his way to the Camera Club studio; I took the wig which had been sent to me by carrier a few days earlier; and Michael, who would be travelling down from Manchester, was scheduled to meet us at the Camera Club.

The Camera Club – Kennington, South London
Everything was set. Curtain up.
Terry and I drove to London rather than taking the train. On the top floor of the Camera Club, we met and got to know Larry whilst waiting for Lord Hazelmere, alias Michael, to arrive.

Michael photo shoot May 2023
And, when he did, his first words, whilst shaking my hand, were, ‘Look! I’ve had a shave!’
Michael, I should say, is extremely good at his job - and an absolute sweetie!
At this stage, it’s worth mentioning that this particular photo-shoot was a ‘first’ for all three of us.
I’d never had a cover created this way.
Larry usually works with publishers and had therefore never previously had an author attend one of his shoots.
And Michael, having never modelled for a book cover, found the whole thing exciting.
However, returning to the day of the shoot … our first task was to get Michael into costume. And certain parts of 18th century male clothing are notoriously tricky – most notably, the cravat.
But with Terry’s help (and although poor Michael was nearly strangled in the process!) Lord Hazelmere emerged looking very different to the way he had when he’d walked in an hour ago.
And then Larry went to work … taking, as he’d said, hundreds of photographs against white or black boards and all with the minimum of instruction which Michael seemed to understand intuitively.
Watching two professionals at work was absolutely fascinating and the afternoon flew by.
But eventually Larry was satisfied that, amongst the many he had taken, was that One Perfect Shot.

Larry looking for 'the' shot!

Could this be 'it'?
Meanwhile, here are the ‘team photos’ from both Shadow and Masque – with me looking (and feeling!) like a hobbit.

The Shadow Earl team photo May 2023

Masque of Deceptions team photo May 2024
Next day, Larry e-mailed me some 50 photographs of what he considered to be ‘the pick of the bunch’ and asked me to narrow them down to a dozen.
This was a lot more difficult than you might think but eventually I managed it … and from the twelve I chose, we whittled it down to just one.
The next step was a bit of ‘photo-shopping’ at Larry’s end – mostly tidying up loose threads and such-like on his lordship’s coat.
And with that done, it was time to choose a background.
This was the easy bit.
The plot of The Shadow Earl reaches its climax in Lord Hazelmere’s library … so here he is, standing inside it.

The Shadow Earl minus typography
At this point, Larry’s role was now complete.
For the final element, Lord Hazelmere had to journey to Stuttgart for Ana Voicu to add the typography in my existing ‘house-style’.
And the completed cover is where this post began.
If you have comments or questions, you can make or ask them here – so don’t be shy.
I enjoy hearing from my readers so you’ll always get an answer!
Happy reading and listening.
Stella

The final book cover - Welcome Kit
Welcome to February Newsletter 2026








